Alexander Newman
In Rapture
In Rapture, so named for the rapture with which we hold our ancestors who came before us, explores history and identity through large-scale styled portraits and narrative photography. Our work seeks to access the ancestral world and repair ruptures to our ancestral lines caused by the interwoven histories of colonialism and capitalism. We examine ancestral connections to geographic sites in a world impacted by the forced and voluntary migrations that took place under colonialism. An important part of our project is to create a photographic portraiture of people of color that avoids visual strategies which partake in the histories of visual violence deeply intertwined in the history of photography, specifically its role in maintaining colonial modes of power. These modes, which center on the body, reify race as a biological or scientific reality thus erasing the complexities of a lived existence. Our work ties together the process of reconciling our ancestral history with the present moment, the marshalling of religious imagery and images of divinity from classical painting, and the creation of a space that is simultaneously real and otherworldly.