EDITORS’ PICK
More wavelengths, more radiance, more sensation
COLOURS
The Life Framer editors make their pick of the images and stories not included in the judge’s selection for our ‘Colour’ theme.
Following Evgeny Tchebotarev’s selection of winning images for our theme ‘Colours’, this compilation of 20 images represents some of the other talented photographers whose work struck us and left a mark. Some are more literal representations of the theme, and others are more abstract, but each one is a stunning image worthy of exposure and attention. These are intended to be a conversation starter… so feel free to join the discussion on our social networks.
(Banner image courtesy of Rolf Lange)
Image courtesy of Hon Hoang
Image courtesy of Sandra RG
Image courtesy of Dagmar Van Weeghel
Image courtesy of Pearce Leal
Image courtesy of Eduardo Soler
Image courtesy of Jaime Alvarez
“This image comes from a larger series titled Fishtown Daily. The title comes from the neighborhood I live in, Fishtown, Philadelphia PA. Fishtown has recently been undergoing a rapid change through development of empty lots, vacated homes. This particular edit focuses on the getting a little closer to my subject and editing out the extra scenery to make more visual languages through the strength of color.” – Jaime Alvarez
Image courtesy of Eduardo Soler
Image courtesy of Andrea Monforti
Images courtesy of Isis Ascobereta
Image courtesy of Wiliam Rugen
Image courtesy of Patrick Sampson
Image courtesy of Matjaz Panjan
Image courtesy of Francoise Dorelli
Image courtesy of Marco Ferrari
Image courtesy of Rafael Roncato
Image courtesy of Matteo Patocchi
Image courtesy of Margeaux Walter
“Sign Language is a series of photographs that collapse everyday life into a form of abstraction. The images are about the fragility of identity in relation to consumer culture. Each image is a domestic scene that is then deconstructed into varying levels of chaos and order, obscuring the identities of the figures within them.
For each piece I wanted to form a dialogue with modernist painting – to flatten space, camouflage elements, and transform daily routines and moments into abstract shapes. I used myself as a model to experience each of the environments I built as well as the claustrophobia of aligning perfectly within them. The performative aspect of the work also nods to the constructed nature of images in commercial media.” – Margeaux Walter
Image courtesy of Andy N Smith
Image courtesy of Sasha Asensio
Image courtesy of Ronald Damwijk
Image courtesy of Guillaume Lechat
Image courtesy of Eengelke Anja
Image courtesy of Alessandro Avenali
